The restaurant is illuminated by large Lanna lanterns, and beautifully decorated with nineteenth century paintings that describe part of the life of Lord Buddha on a large cloth that hangs down from the ceiling. Antique Chinese tables and Ming Dynasty plates are placed tastefully along the sides of the restaurant. The focus of the cuisine is Thai, but there is also a large selection of fusion dishes that combine food, sauces, and flavorings from Thailand, Vietnam, Japan, and Europe.

Next to the restaurant there is a small, shady courtyard where guests can dine out side while listening to old northern Thai music.
The Bar is situated next to the restaurant and is decorated with a very rare Chinese antique liqueur screen, and lithographs by Henry Moore, Robert Mother well, and other early twentieth century painters. The screen shows in gold paint the whole process of tea production from the bust to the ships exporting the packaged tea leaves.

Above the restaurant is the Gallery, shine serves to educate guests about Lanna culture, and also to provide a meeting room. It is filled with silverware, lacquer ware, hill tribe jewelry, a sword collection, an eighteenth century Buddha image, and also with the post, plates, etc., that were discovered when the hotel site was excavated.

There is also a 20-metre swimming pool, which is lined with sun beds and bougainvillea flowers. The airy Pool Bar offers snacks and drinks, while the open-air room above provides a massage service.

The hotel also boasts a library with an internet room; the only hotel in the north to provide this.

The service concept is based on the principle of creating a memorable experience for all guests, and supports the unforgettable feeling of peace and homeliness created by the hotel's architecture and design. Overall, a stay at the Rrachamankha is unique